![]() The rest is just standard.Įither of the previous two nights was much better. That song was perhaps the only one that improved in 1995 as Jerry reliably played with intensity, but here, it's just a drag, a slow 3-chord song that takes forever to get to a so-so solo. A torrid Watchtower comes out of space but is followed by Yawning on the Lawn. Then Jerry has to repeat his solo in Terrapin because he screws up the finish. Admittedly, soloing over the chromatic passages in that song is not easy, but check out 7/12/90 for example of how it's done. Jerry tries to get the band going on Victim, but keeps starting his runs on the wrong note, throwing the others into confusion (Bob simply drops out at points). ![]() ![]() The show has its moments (Cassidy, Truckin>Smokestack, Watchtower, Foolish) but overall is not that good. So I got 3 shows I wouldn't have otherwise.Ģ. Everyone says the venue sucked, but I had a good time there (except for getting sick off a veggie burrito in the lot, but that's not the venue's fault) and probably wouldn't have made it to Alpine. Joining us this week for the second time is jazz singer and all around badass, Debbie Davis! One of the premier jazz vocalists in New Orleans, Debbie joins us to talk the through line between jazz and the Beatles, the pop landscape of 66, how to raise a cool kid who's into rock music, and much more! As the world opens up, be sure to follow Debbie to see when you can catch her live, or check out her records. That's how a song like this ends up as a standard, all these years later. ![]() It's delivered with no hint of irony, and full respect for the music of the time it seems to be pulled from. Much like "Your Mother Should Know," it's almost punk rock to put a song like this on such a major album. Pepper's Lonely Hearts Club Band, the Beatles establish the fact that in music and art, there are no rules. Written by Paul at the ripe old age of FOURTEEN, and frequently utilized as a way to kill time when stage power blew at the Casbah or Cavern Club, this jazzy, music hall number may seem worlds apart from the preceding "Within You Without You," but on Sgt. Not many bands in history could, within the space of a few days, go from recording the genre-bending "Strawberry Fields Forever" to the genre-specific "When I'm 64." Then again, not many bands are.The Beatles. ![]()
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